{"id":233,"date":"2024-06-14T14:47:10","date_gmt":"2024-06-14T17:47:10","guid":{"rendered":"https:\/\/pierrecormon.com\/?p=233"},"modified":"2024-06-16T12:52:18","modified_gmt":"2024-06-16T15:52:18","slug":"francais-un-portrait-dans-le-temps-en-2004","status":"publish","type":"post","link":"https:\/\/pierrecormon.com\/en\/francais-un-portrait-dans-le-temps-en-2004\/","title":{"rendered":"A profile in the newspaper Le Temps, 15.7.2004"},"content":{"rendered":"<p><em>Pierre Cormon spends twelve weeks a year learning to play the oud in Cairo<\/em><\/p>\n<p>By Elisabeth Chardon<\/p>\n<p><em>Le Temps<\/em>, 15 July 2004<\/p>\n<p>In his Geneva flat, Pierre Cormon is surrounded by unusual musical instruments. He introduces them all: the Anatolian saz, the Ottoman tanbur and bamboo flutes, the hackbrett from the Alps, the kanoun, the instrument par excellence of learned Arab music&#8230; and above all the oud. Pierre Cormon owns six examples of this instrument, which luthiers give a perfect roundness. &#8220;There are three key moments (&#8230;)<\/p>\n<p>&nbsp;<\/p>\n<p><em>Full article in PDF\u00a0<\/em>(in French):<\/p>\n<p><a href=\"http:\/\/pierrecormon.com\/wp-content\/uploads\/2024\/06\/Pierre-Cormon-consacre.-LT-15.7.2004.pdf\">Pierre Cormon co<\/a><em>This journalist with &#8220;Entreprise romande&#8221; took his first lessons in Sana&#8217;a, when he was an ICRC delegate. Long self-taught, he is now developing his talents at the world&#8217;s leading oud school.<\/em><a href=\"http:\/\/pierrecormon.com\/wp-content\/uploads\/2024\/06\/Pierre-Cormon-consacre.-LT-15.7.2004.pdf\">nsacre&#8230; LT 15.7.2004<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Pierre Cormon spends twelve weeks a year learning to play the oud in Cairo By Elisabeth Chardon Le Temps, 15 July 2004 In his Geneva [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":244,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,1],"tags":[9,11,8,10,12],"class_list":["post-233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","category-noticias","tag-egypte","tag-le-caire","tag-le-temps","tag-oud","tag-portrait"],"acf":[],"_links":{"self":[{"href":"https:\/\/pierrecormon.com\/en\/wp-json\/wp\/v2\/posts\/233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrecormon.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrecormon.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrecormon.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrecormon.com\/en\/wp-json\/wp\/v2\/comments?post=233"}],"version-history":[{"count":17,"href":"https:\/\/pierrecormon.com\/en\/wp-json\/wp\/v2\/posts\/233\/revisions"}],"predecessor-version":[{"id":436,"href":"https:\/\/pierrecormon.com\/en\/wp-json\/wp\/v2\/posts\/233\/revisions\/436"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pierrecormon.com\/en\/wp-json\/wp\/v2\/media\/244"}],"wp:attachment":[{"href":"https:\/\/pierrecormon.com\/en\/wp-json\/wp\/v2\/media?parent=233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrecormon.com\/en\/wp-json\/wp\/v2\/categories?post=233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrecormon.com\/en\/wp-json\/wp\/v2\/tags?post=233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}