{"id":233,"date":"2024-06-14T14:47:10","date_gmt":"2024-06-14T17:47:10","guid":{"rendered":"https:\/\/pierrecormon.com\/?p=233"},"modified":"2024-06-16T12:52:18","modified_gmt":"2024-06-16T15:52:18","slug":"francais-un-portrait-dans-le-temps-en-2004","status":"publish","type":"post","link":"https:\/\/pierrecormon.com\/fr\/francais-un-portrait-dans-le-temps-en-2004\/","title":{"rendered":"Un portrait dans le Temps, 15.7. 2004"},"content":{"rendered":"<p>Passions d\u2019une vie<\/p>\n<p><strong>Pierre Cormon consacre douze semaines par an \u00e0 apprendre le oud au Caire<\/strong><\/p>\n<p>Par Elisabeth Chardon<\/p>\n<p><em>Le Temps<\/em>, 15 juillet 2004<\/p>\n<p><em>Ce journaliste \u00e0 \u00abEntreprise romande\u00a0\u00bb a pris ses premiers cours \u00e0 Sanaa, alors qu\u2019il \u00e9tait d\u00e9l\u00e9gu\u00e9 au CICR. Longtemps autodidacte, il d\u00e9veloppe maintenant ses talents dans la premi\u00e8re \u00e9cole de oud au monde.<\/em><\/p>\n<p>Dans son appartement genevois, Pierre Cormon vit au milieu d\u2019instruments de musique peu communs. Il fait les pr\u00e9sentations\u00a0: le saz anatolien, le tanbur et les fl\u00fbtes de bambou ottomans, le hackbrett des pays alpins, le kanoun, instrument par excellence de la musique savante arabe\u2026 et puis surtout le oud. Pierre Cormon poss\u00e8de six exemplaires de cet instrument auquel les luthiers donnent une rondeur parfaite. \u00ab\u00a0Il y a trois moments cl\u00e9s (\u2026)<\/p>\n<p>&nbsp;<\/p>\n<p><em>Article complet en PDF;<\/em><\/p>\n<p><a href=\"http:\/\/pierrecormon.com\/wp-content\/uploads\/2024\/06\/Pierre-Cormon-consacre.-LT-15.7.2004.pdf\">Pierre Cormon consacre&#8230; LT 15.7.2004<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Passions d\u2019une vie Pierre Cormon consacre douze semaines par an \u00e0 apprendre le oud au Caire Par Elisabeth Chardon Le Temps, 15 juillet 2004 Ce [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":244,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,1],"tags":[9,11,8,10,12],"class_list":["post-233","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","category-noticias","tag-egypte","tag-le-caire","tag-le-temps","tag-oud","tag-portrait"],"acf":[],"_links":{"self":[{"href":"https:\/\/pierrecormon.com\/fr\/wp-json\/wp\/v2\/posts\/233","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pierrecormon.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/pierrecormon.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/pierrecormon.com\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/pierrecormon.com\/fr\/wp-json\/wp\/v2\/comments?post=233"}],"version-history":[{"count":17,"href":"https:\/\/pierrecormon.com\/fr\/wp-json\/wp\/v2\/posts\/233\/revisions"}],"predecessor-version":[{"id":436,"href":"https:\/\/pierrecormon.com\/fr\/wp-json\/wp\/v2\/posts\/233\/revisions\/436"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/pierrecormon.com\/fr\/wp-json\/wp\/v2\/media\/244"}],"wp:attachment":[{"href":"https:\/\/pierrecormon.com\/fr\/wp-json\/wp\/v2\/media?parent=233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/pierrecormon.com\/fr\/wp-json\/wp\/v2\/categories?post=233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/pierrecormon.com\/fr\/wp-json\/wp\/v2\/tags?post=233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}